PACT Zollverein – call for residencies I/2022

From January to July 2022 PACT Zollverein is offering a residency programme for the development and realisation of projects and productions, which is open to professional artists from both Germany and abroad working in the fields of dance, performance and media art. Residencies are planned individually and include a working space and local accommodation as well as financial support in the form of a weekly grant allowance and travel costs*. By arrangement and subject to requirement, PACT Zollverein also offers its residents technical support. In keeping with its unique structure, PACT Zollverein sees itself as a place of encounter and exchange and, together with all its contributors, welcomes the readiness of others to share their own work processes in open and freely definable forms.

A residency incorporates the following:
― Studio space (from 69 to 173 sq.m.)
― Local accommodation (max. 4 people)
― Period of 3 to 6 weeks
― Weekly grant allowance for all of the residency project participants (max. 4 people)
― Travel costs covering one journey only per participant to and from PACT Zollverein (max. 4 people)*
― Technical equipment (by arrangement and subject to availability)
― Professional technical support (by arrangement and subject to availability)

* Principally, the least environmentally harmful means of transport available should be chosen.

Due to the current highly dynamic COVID-19 situation, we reserve the right to make adjustments to the terms of residencies in consultation with the applicants if necessary.

PACT is pleased to facilitate barrier-free and family-friendly residences by arrangement.

We only accept residency applications submitted via our online residency application process. To access the online application form please go to: www.pact-zollverein.de/en/artists-centre/residencies.

Closing date for applications: 9th of September 2021

All complete applications received by this date will be considered and you will be informed of the panel’s decision by e-mail.

PACT Zollverein – Residencies 1/2022
Juliane Beck
Bullmannaue 20a
D-45327 Essen
residenz@pact-zollverein.de

PACT Zollverein / Choreographisches Zentrum NRW Betriebs-GmbH and its residency programme are supported by the Ministry for Culture and Sciences of the State of North Rhine-Westphalia and the City of Essen. Tanzlandschaft Ruhr is supported by the Kultur Ruhr GmbH.

For more information, click here.  

Street Art Bucharest begins – a street art program for the inhabitants of the capital

Street Art Bucharest creates, together with appreciated artists, such as Serebe and Pisica Pătrată, five artistic interventions in public spaces in the neighborhoods, hosted by the Bucharest Metropolitan Library, Special Gymnasium School Nr. 9, the National Center for Dance Bucharest and The Institute, located at Combinatul Fondului Plastic. Artists and photographers are invited to apply for two open calls, and Bucharest residents and visitors can participate, free of charge, in three guided tours of art in public spaces.

The program produces a printed album and an online map, which presents the latest street art works in the city, both of which will be launched during the group exhibition from October 15 to 23, in Bucharest. The opening of the exhibition brings together two artists from different fields, visual art and music, who will co-produce a live performance which will be broadcasted online in real time.

Artists and photographers are invited to apply in two open calls, and Bucharest residents and visitors can participate, free of charge, in three guided tours of urban art in public spaces. The first guided tour takes place on August 29, from 17:00.

The first open call for murals and street art interventions is launched on August 30, so we invite you to follow the project’s microsite to be up to date with the activities planned for the next period and to get involved: https://feeder.ro/streetartbucuresti

Street Art Bucharest is a cultural project created by Save or Cancel.

The project was co-financed by the Capital City Hall through ARCUB within the Bucharest – Open City 2021 Program.

For detailed information about the financing program of the Bucharest City Hall through ARCUB, you can access www.arcub.ro

The content of this material does not necessarily represent the official position of the Bucharest City Hall or ARCUB.

Partners: Bucharest Metropolitan Library, Special Gymnasium School Nr. 9, National Center of Dance Bucharest, The Institute

Media partners: Zeppelin, Igloo, Iqads.ro

About Save or Cancel

Since 2009, Save or Cancel is a medium for communication and dissemination of arts and culture, promoting and facilitating their role in contemporary society.

The multidisciplinary programs self-initiated by Save or Cancel aim to identify sustainable and adaptable opportunities to (re)enhance the existing through cultural and editorial projects and programs.

Bucharest International Dance Film Festival (BIDFF) #7

The seventh edition of Bucharest International Dance Film Festival (BIDFF), the only cinematographic event in Romania dedicated to dance films, will take place between September 1 and 5, in Bucharest.

BIDFF presents original films that use movement as the main language and the body as the subject. During the 5 days, the festival will present in 7 locations in Bucharest international and Romanian dance short films, documentary feature films about dance, music and performing arts, a VR exhibition, masterclasses with international artists, a dance film laboratory dedicated to young creators, as well as other related events dedicated to the community.

Artistic direction and theme of the festival: Potential Worlds

Art, like the world we live in, is in a continuous transformation. Art pushes the boundaries of the real world and constantly redefines its forms. Just as an ecosystem adapts to change, integrates new elements or mutations, needs regeneration and balance, so does art, in all its forms, seeks to redefine its form and content.

In the last year, contemporary society was taken by surprise by the appearance of some events that disrupted its linear existence and forced it to rethink its actions, the relationship with the environment, the relationship between state and citizen, transnational mobility, cultural identity. We had to correlate actions and ideologies on a planetary level, being forced by global events in front of which we had to reinvent the way we function as a society and question our values of humanity. In the middle of these situations is the body, this “biological vessel” that we try to protect and keep intact, but at the same time it is the generator of change, transformation and progress.

In the face of these borderline situations, art and the ways of producing and presenting art have also changed. Ignoring the crisis and the need for change is like watching a tsunami and thinking it’s just a wave you can float through without worrying about it. The artistic formats undergo some necessary mutations, the film leaves the cinema, the dance leaves the stage. BIDFF questions the current situation and wonders what we are heading towards. What will tomorrow’s art be like, the art of the next decade and, why not, the art of the next century? What can be the new cinematic and performative formats, what topics become relevant when you are forced by circumstances to be aware of borders and how can you transgress these boundaries using the body, cinematic art, science and new technologies?

– Simona Deaconescu, artistic director of BIDFF

For the schedule, descriptions and complete details of the festival events, click here.
For the Facebook event, click here.

CNDB is hiring: Public Relations and Communication

The National Center for Dance Bucharest announces a employment competition for the position of head of public relations and communication. Those interested are asked to send their CV / portfolio to office@cndb.ro by September 5.

Job description:

  • Identifying and proposing communication objectives, in accordance with the mission and vision of CNDB;
  • Developing new ideas in terms of communication, monitoring new communication trends locally and internationally, as well as monitoring the activity of similar professional bodies, trends in the profession and the cultural sector;
  • Ensuring the promotion of events;
  • Establishing and maintaining contacts with specialized media publications;
  • Managing and creating content for the institution’s communication channels (social media platforms, newsletters, articles, press, etc.);
  • Providing the process of graphic identity of events and support of advertising materials;
  • Maintaining professional relationships with external partners, facilitating the flow of communication with institutional partners;

Job requirements:

  • Graduate of higher education;
  • Experience in cultural communication (minimum 1 year);
  • Experience in content creation and editing, copywriting;
  • Good level of knowledge of English language;
  • Ability to work with MSOffice, Internet, social media platforms and promotion platforms;
  • Ability to adapt to different types of people, interlocutors and beneficiaries of information, communication channels with which they interact or for which they make communication materials;
  • Rigor in the performance of work duties;
  • Ability to analyse and synthesize, conciseness, accuracy, initiative, creativity, flexibility;
  • Ability to meet deadlines;
  • Ability to ensure data protection and confidentiality;
“Courtyard dances”, artistic versatility and social inclusion

This summer, the National Center for Dance (CNDB) is first and foremost a meeting place where differences of any kind, but especially those related to age, social status, training, knowledge and experience become irrelevant, because dance becomes the binder which brings very different types of people together.

CNDB is one of the few cultural institutions that continues its activity over the summer, and in this context launches “Courtyard Dances”, a project in which the yard of CNDB’s location on Mărășești Blvd. will host artistic groups that bring together over 40 independent artists, who will offer to the non-specialized public workshops, games, presentations with extracts from choreographic works, exhibitions, interactive installations, parties and other activities that focus on contemporary dance.

The events will take place every weekend, from the 8th August until the beginning of October.


Discover the “Courtyard dances” schedule!


AUGUST

Sharing practices & dance party by LINOTIP
Date: August 8th
Time: 18:00

What happens when you work on a performance? What is the part that is unseen by the public? Linotip invites the audience to an open laboratory hosted by the choreographer Ioana Marchidan, which will offer a look into the intimate creative process that was the basis of the production, “Humans / Bodies / Images”, with Sofia Sitaru Onofrei, Anca Stoica and Bianca Ardeleanu, three dancers who just graduated from the Choreography Department of the University of Theatre and Cinematography “I.L. Caragiale”. The laboratory will be followed by the audition of several musical fragments composed by Alexandru Suciu for the performances produced by Linotip. The musical audition also opens an invitation for all participants to dance.

Perspectives in motion – workshop, performance, improvisation, talk, with the artist Virginia Negru and her guests
Date: August 14th
Time: 18:00

The freedom to try, to choose and to build are the central elements used by the artist Virginia Negru, who invites you alongside her guests to an experiential event that proposes to expand your own perception. You are invited to be both a participant and a spectator in the following:
– improvisation workshop through movement and dance (60′-80′);
– performative moment of composition by improvisation with Mădălina Dan, Cristina Lilienfeld, Smaranda Găbudeanu, Cătălin Diaconu (dance) and Victor Podeanu (live music), (30′).
– closing talk (30′).

Delazero to Dance
Date: August 15th
Time: 10:00

The Delazero Association invites you to join in for a day in which interaction through movement, ludic spirit, games and playfulness become a party accompanied by Emil Vasilache (DJ).
10:00 -11:30 – Workshop for children aged 8-12 coordinated by the artist Camelia Neagoe;
18:00-19:30 – Workshop for adults coordinated by artists Mariana Gavriciuc and Simona Dabija;
20:00-21:00 – Interactive game (powered by Playstation and the guest choreographers).

SEPTEMBER

Blue Lagoon. Descentrat
Date: September 11th
Time: 17:00

The Blue Lagoon. Descentrat will open the performative space of the National Center for Dance Bucharest in several forms:

5:00 – 6:30 pm – an audio oasis of infusion and mixture in Samer’s guidance
6:30 – 7:00 pm – a story from the animal kingdom addressed by a guest from the Romanian Ornithological Society
7:00 – 7:45 pm – two new drag & beyond shows (queens to be announced)
7:45 – 8:30 pm – a group singing class with Alina Buzdugan
8:30 – 10:00 pm – a group karaoke session

Guests: Samer, Livia Gyongyosi, Alexander Valentine, Rayne O’Plasty, Alina Buzdugan

See You Soon
Date: September 12th
Time: 18:30

In the winter of 2020, Cristina Lilienfeld and Alina Ușurelu spent a month at Perfocraze International Artist Residency in Kumasi, Ghana. This center is supported by a group of Ghanaian artists who, in a few years, have managed to create a self-sustaining ecosystem that hosts dozens of artists each year. The meeting with the art and culture from Ghana shook a series of concepts and visions that Cristina and Alina shared, and in this intense process of knowledge a show entitled “See You Soon” was born.

Time schedule:
Reenactment of the performance “See You Soon” (60′)
Audience talk (45′)
Screenings of the interviews filmed by Alina Ușurelu with the Ghanaian artists who hosted them at PIAR Residency (60′)
Closing discussion / exercise. (30′)

[M]others & What (still) moves us
Date: September 18th
Time: 11:00

On September 18, two projects meet, resonate and create an accumulation of emotional, sensory, motor and relational information.
The first part hosts the Sensuum-lab workshops. Each participant is invited to rediscover new opportunities to dance, but also to feel, to handle objects and to create the first actions that later build behaviours.
The second part involves a discussion between Mădălina Dan and the [M]others team in the What (still) moves us format. A transdisciplinary team of seven mother artists, plus a daughter artist, will perform with Mădălina.

Curated by: Mădălina Dan, Valentina De Piante

So Rave That is Staged – Technofields
Date: September 25th
Time: 17:30

This year, Technofields brings rave and collective dance to the core of its research, as a means of focusing on the city’s abandoned spaces, where major projects fail and where, through their remains, vegetation takes its place, creating heterotopias and new systems with a different space and time. So Rave that it is Staged is a party staged in various rave formulas, which brings to the fore front collective forms of dance, as a means of celebrating the community.

Hosts: Andreea David, Maria Baroncea
Music: Sillyconductor
Dj set: Sinister Exaggerators

”The heat was hot and the ground was dry” – tranzit.ro
Date: September 26th
Time: 18:00

Climate predictions say that in the next 30 years southern Romania will become an arid steppe. There is an optimistic version, in which the authorities will invest heavily in re-creating forest curtains to stop this phenomenon. But in the summer days when the desert wind blows over Bucharest, this scenario seems to be a utopia. Another option is that we will try to adapt to the new conditions, along with the few species that will survive next to us. Artists Anca Benera and Arnold Estefan conducted a research study in the Sahara of Romania (southern Oltenia), where they collected pollen grains, which represent a climate indicator, an organic archive that preserves traces of vegetation from a certain area over time. For how long will there be vegetation on the sands of Oltenia and how will it adapt?

Guests: artists Anca Benera, Arnold Estefan and Professor Florin Stănică, Phd

Mădălina Dan: Arts and crafts
Date: October 2nd
Time: 18:00

The courtyard dances proposed by Mădălina Dan take place in the form of professional and lively meetings and intersections, changes of perspectives, new partnerships and dynamics, with the intention of creating a communication network that converges towards the idea of ​​community, dialogue and choreographic meetings.

Mădălina Dan met Andreea David and Eliza Trefaș in the improvisation laboratory “Perspectives in motion” – improvisation laboratory proposed by Virginia Negru, project that was also present during de Courtyard Dances series, on August 14th. Their meeting generated a creative process and the trio, “Sisters are doing it for themselves”, which will be presented on Saturday, October 2, at CNDB.

Schedule:
18:30 – Sisters are doing it for themselves – work-in-progress presentation
With/by: Madalina Dan, Andreea David, Eliza Trefaș

19:20 – You could be more as you are – work-in-progress
Cu/de: Eliza Trefas și Eve Cousins

20:00 – What (still) moves us, with Andreea David

Project co-financed by the Administration of the National Cultural Fund. The project does not necessarily represent the position of The Administration of the National Cultural Fund. The Administration of the National Cultural Fund is not responsible for the content of the project or the manner in which the results of the project may be used. These are entirely the responsibility of the funding recipient.

Open Call – Cultural Management – NRCC Together we matter

If you are from/ living in Romania, Serbia or the Republic of Moldova and you are a cultural manager, PR manager, cultural producer, cultural journalist or art critic with min. two years of experience, then thel ??????????? ???????? ??????????? ???? (????): ????????, ?? ?????? is for you‼️

Open Call – New Regional Cultural Cooperation is open until 11th August, applications can be submitted on https://tinyurl.com/xdv9e2p3

The selection`s results will be published on August 16th 2021 and the 15 participants will attend:

Cultural Management School in Bucharest: September 14th – 19th 2021, Projects Incubator in Belgrade: November 3rd-7th 2021

For more info go to https://www.goethe.de/ins/ro/ro/kul/sup/aka.html

If you missed the UNITER Awards Gala, you can still see the part in which CNDB was present on the stage of the I.L. Caragiale National Theatre Bucharest.

Maia Axinte, winner of the CNDB 2020 Awards, and Robert Popa, a graduate of the CNDB Academy of Dance and Performance, staged an excerpt from the performance ” Val and the Citadel of Souls”, by Vava Ștefănescu. Our emotions and joy were immeasurable. Thank you, UNITER, for the invitation!

Eduard Gabia – from contemporary dance and performance art to film, music and back on the CNDB stage, or the artist who revisits his own choreographic path in three works that marked the recent history of contemporary dance

“Outcome”, by Manuel Pelmuș and “8 days a week” by Eduard Gabia, presented as double bill, on July 16 and 17 at CNDB.

There is very little being said about the artistic versatility of contemporary dance practitioners. Eduard Gabia is a significant example. Over time, he has fluidly crossed and experienced several areas, environments and artistic contents. In the 2000s, cultural institutions presented him as a choreographer and performer of works presented at international dance festivals. IMDb and Cinemagia announced him as a cast actor in the lead roles of several international film productions. Currently, the websites of clubs and music festivals mention him as the founder and percussionist of an electronic / synth pop / new-wave music duo called Karpov not Kasparov, who recently signed a contract with the Disco Halal label from Berlin.

Trained as a dancer and choreographer, the artist Eduard Gabia returns to the stage of the National Center for Dance Bucharest in a triple stance: that of a performer in the initial version of the work “Outcome”, by Manuel Pelmuș, which he revisits with his own body 20 years later, and that of an author who enters his own work for the first time – “8 days a week” – 15 years after its premiere at the Kaaitheater Brussels in 2006. The two performances will be presented as a double bill, on July 16 and 17 at CNDB. The performance 8 days a week” also creates the opportunity to reunite with the dancer Carmen Coțofană, one of the performers in the initial cast of the work. The third position in which Eduard Gabia will be present is that of a performer in “Stars High in Amnesia’s Sky (reactivations)”, by Mihai Mihalcea, which will be presented at CNDB, on July 24 and 25.

“Outcome” by Manuel Pelmuș is one of the most daring choreographic works created in the early 2000s in Romanian contemporary dance. Outcome was seen as a kind of short circuit, a shock, which for many of the young choreographers and critics of that time produced a disruption of the French aesthetics, which had really left its mark on Romanian choreography after the project “La Danse en Voyage”, organized in Bucharest in the early 90’s.

Manuel Pelmuș considers that this is the first piece that debates what choreography means for him, the body’s standing in society, artistic and political influences, all in which “a manner of choreographic thinking materializes, closer to the performance of visual arts and certain conceptual searches in choreography”. The artists talks about Outcome as a work that informed and influences everything he did afterwards, even if in different forms or setups:

“Outcome started a form of critical reflection towards the means of artistic production and the conventions and context in which they take place. The main merit (if not all of it) for the work is Eduard Gabia’s. We were friends and, one day, I told him about my idea. Edi was very open and pervious, he fully understood the artistic proposal, even if the concept was quite uncommon for him, but for me as well. What followed was a period of rehearsals and discussions, during which the piece evolved naturally, supported also by Edi excellent performance abilities. It was not a working process in the traditional sense, one in which I showed some moves and he tried to do them as well as he could. It was more of a process of accumulation, in which we fed each other ideas and feelings, adding movement details as we went along, and finally everything came together as Outcome. I remember that we talked about the relationship between object and subject, between presence and expression, between body and context.”

Manuel Pelmuș, 2020

“8 days a week” is the performance created by Eduard Gabia and presented for the first time in 2006 being a co-production of CNDB and Kaaitheater Bruxelles. In order to create the work, the artistic team from back then (Eduard Gabia, Carmen Coțofană, Maria Baroncea, Florin Fieroiu, Brynjar Bandlien and Beniamin Boar) benefited from a creative residency at Kaaitheater, one of the most prestigious European contemporary dance theatres, where they also presented the performance two times.

8 days a week is a performance built on an ingenious practice of movement, which Gabia experienced playfully himself before developing a whole set of tools that he delivers to the dancers for their own use. Nothing simpler, nothing more difficult.

“In the reality of the world around us, our actions are composed of two types of interaction, Gabia tells us. Informational – we have the necessary knowledge for that action. Energy – we know and have the exact amount of energy to perform that action. The action is the meeting point of the two perspectives, which in 8 days a week I tried to unbalance, turning each action into a “failure”, into a “mistake”. And from one mistake to another, a normal, natural reality gathers.”

Eduard Gabia

Choreographer Andreea Novac’s recommendation from the CNDB Media Library: The Perfect Spectator

We invite artists who cross the threshold of the CNDB Media Library to tell us a few words about the materials they have chosen and to share with us the ideas that stayed with them. Choreographer Andreea Novac chose “The Perfect Spectator”, a book about the way we perceive art.

What happens when a spectator encounters a work of art? How does the viewer understand its “meaning” and how can this process of interpretation, which often takes place at a subconscious level, beyond language, be understood and articulated? These are the questions from which the book chosen by Andreea Novac starts.

Regarding the choice she made, the choreographer told us the following:

Artistic reception was, more or less explicitly, a constant in the works we have proposed so far, as we became aware of the fact that the relationship between the spectator and the artistic product goes beyond the simple act of watching. The verbs used to designate the spectator’s interaction with an artistic product have also changed, moving to participate, to accompany, to experiment, to transform, to intervene, etc.

“The Perfect Spectator” has nothing to do with an ideal spectator, but rather offers ways and tools to understand, lead, mobilize and direct artistic perception and experience, approached from both directions (from stage to audience and vice versa).

Andreea Novac

Author Janneke Wesseling, professor of visual arts at Leiden University in the Netherlands, addresses the relationship between the spectator and the art object by analysing the aesthetics of reception, with the central premise that contemplating art is a matter of interaction between an active work of art and an active observer. Wesseling writes about these things both from a personal position, starting from her own encounters with art objects, and from her professional experience, studying and writing about art. At the meeting between the two perspectives, she arrives at a new theoretical framework for seeing and contemplating art.

Andreea Novac selected some excerpts from “The Perfect Spectator” – ideas that resonated with or remained with her after reading, and shared them with us. You can read them below:

“The artist may not necessarily understand his own art. His perception is neither better nor worse than that of others”. – Sol LeWitt

“There is not a one to one relationship between an artist’s intention and a spectator’s interpretation. (…) It by no means entails the exact transference of knowledge and experience from artist to spectator. (…) The spectator, be she uninformed or well – informed, is asked to disregard her expectations and preconceived ideas about what art is about. Our expectations of the art work stand in the way of experiencing it.”

“Two kinds of spectators: eye and body.”

“The art work is embodied or materialized thinking.”

“The concept of spectatorship that elevates sight above all other senses, a spectatorship of a disembodied subject, is not relevant to postmodern art with its emphasis on a simultaneity of perspectives and experience of the work with the entire body.”

“The art work exists and lives in the contemplation by the spectator and in the ever-changing interpretation. The work’s maker does not know all the possible layers of meaning and interpretation. Had he known them, he would have had no reason for making the work. The art work is not the ultimate goal, not an end product of the artist’s thinking. It is an intermediate stage, a temporary pause, a frozen moment in a thinking process. As soon as the artist has placed the work in the world, his activity concerning that specific work is a thing of the past. At that point, the spectator, the audience becomes involved in the work.”

The book “The Perfect Spectator” is available in the CNDB Media Library. You can access the entire books and videos collection by clicking here. If you are interested in any of the titles, write an email to corina.cimpoieru@cndb.ro.

The series of recommendations continues!

CNDB media library has over 400 books waiting for you to discover them as well as a whole video collection of works, dance films and video art. You will find titles about the history and theory of dance, critical thinking, performance theory, artist books, feminist studies as well as many periodicals, magazines and catalogues of contemporary dance festivals.

Two performances from CNDB were selected for the Antistatic International Festival for Contemporary Dance and Performance

Two of the performances produced in 2020 at CNDB, together with the first generation of graduates of the CNDB Academy of Dance and Performance, “Less might be more, but sometimes less is just nothing” by Willy Prager and “Coreomaniacii” by Simona Deaconescu, participate in Antistatic International Festival for Contemporary Dance and Performance, which takes place between May 20-28, 2021, in Sofia.

After a year of courses and workshops, the formed teams went through an intensive process of practice and live presentation. Ten choreographers worked together with the students from the CNDB Academy of Dance and Performance to bring back to stage well-known older works of theirs, but also to propose new ones. The performances selected for Antistatic are among the newly created productions. Thus, ten of the CNDB graduates will debut on the international stage, the two works being presented at the festival on June 5 and 6.

Antistatic is a platform for new forms and practices in contemporary dance and performance. Discover the festival program here.

CNDB calls for international partnerships for the Academy of Dance and Performance 2022-2024 edition

CNDB is looking for partnering organisations from Norway, Iceland and Liechtenstein for the second edition of our educational programme, the Academy of Dance and Performance CNDB (2022-2024).

The Academy is an artistic formation programme in contemporary dance dedicated to young emerging dancers and performers, launched by CNDB in the 2019-2020 academic year.Throughout the program, participants attend a two-semester intensive training in contemporary dance techniques and practice in the creation process of new works that are presented on the stage of CNDB. 

The first semester focuses on training and learning, based on a customized curriculum and with a corpus of trainers composed of international and local choreographers and pedagogues. It includes dance classes, workshops, research and individual study, as well as sessions of evaluation and feedback. 

During the second semester, besides the teaching-training activity, the focus switches onto involving the young dancers in local artistic productions. Established Romanian and international artists are working with the students in new choreographic creations, produced by CNDB through this program. 

The second edition of the Academy is scheduled to take place during 2022-2024 the academic years. In this respect, we are applying for funding with the RO-CULTURE EEA grants (https://www.ro-cultura.ro/en/calls/access-to-culture/call-2122-s2 – 2021 call to be published) and we are looking for partner organisations with experience in carrying out educational projects that want to take on the following:

  • Identifying and enabling contracts with one or two experienced contemporary dance trainers to teach in Bucharest within the Academy for a period of 3-6 months;
  • Hosting and organising an knowledge dissemination and exchange event of and work practices 

We invite those interested to engage in a further dialogue in order to identify other ways of interaction and cooperation. If your organisation is interested in this partnership, please contact our Education & Formation Programme Coordinator, Ana Papadima, at ana.papadima@cndb.ro.  

Works produced within the first edition of the Academy, presented in the „Dance me to the End of…”(exercises, distances, approaches) programme:

For more information about the Academy for Dance and Performance CNDB, click here.

CNDB Media Library: Irina Marinescu recommends The Mind-Body Problem

Irina chose The Mind-Body Problem, by Jonathan Westphal, as she is interested in philosophical concepts “about the meeting place between body and consciousness, between palpable and impalpable”. While reading it, Irina also shares with you a microtonal, musical recommendation.

Philosophers from Descartes to Kripke have struggled with the glittering prize of modern and contemporary philosophy: the mind-body problem. The brain is physical. If the mind is physical, we cannot see how. If we cannot see how the mind is physical, we cannot see how it can interact with the body. And if the mind is not physical, it cannot interact with the body. Or so it seems.

“The mind is a non physical thing

The body is a physical thing

The mind & body interact

Physical and nonphysical things cannot interact

Of the 4 propositions, 3 can be true at the same time. If they are, the 4th is false.”

The Mind-Body Problem, Jonathan Westphal 

In this book the philosopher Jonathan Westphal examines the mind-body problem in detail, laying out the reasoning behind the solutions that have been offered in the past and presenting his own proposal. The sharp focus on the mind-body problem, a problem that is not about the self, or consciousness, or the soul, or anything other than the mind and the body, helps clarify both problem and solutions.

Westphal outlines the history of the mind-body problem, beginning with Descartes. He describes mind-body dualism, which claims that the mind and the body are two different and separate things, nonphysical and physical, and he also examines physicalist theories of mind; antimaterialism, which proposes limits to physicalism and introduces the idea of qualia; and scientific theories of consciousness.

Qualia is also the notion that interested Irina Marinescu for some time, so she extracted the following excerpt from the book:

“The term “qualia” has an interesting and one might say chequered history. In the past the phrases and words “cogitationes”, “ideas”, “experiences”, “sense data”, “qualities”, “perceptions”, “sensations”, “properties of sensations”, “percepts”, “raw feels”, “nomological danglers”, “phenomenal properties”, and “qualitative properties” have been used to try to get at something approximately like the same idea.
The confused history of the different terminologies is enough to alert the thoughtful student of recent philosophy to the fact that all is not as it should be in the kingdom of the qualia.”

The Mind-Body Problem – Jonathan Westphal 

Finally, Westphal examines the largely forgotten neutral monist theories of mind and body, held by Ernst Mach, William James, and Bertrand Russell, which attempt neither to extract mind from matter nor to dissolve matter into mind. Westphal proposes his own version of neutral monism. This version is unique among neutral monist theories in offering an account of mind-body interaction.

The book The Mind-Body Problem, by Jonathan Westphal is available in the CNDB Media Library. With a click here you can access the entire CNDB book collection, as well as video. If you are interested in any of the titles, we invite you to write an email to corina.cimpoieru@cndb.ro

Who is Irina Marinescu?

Irina fell in love with contemporary dance in 2009. Since then, she has studied various dance practices ​​and forms of the performing arts. She worked for CNDB, participated in the Academy of Cultural Management 2019 and is currently an independent artist and producer, being one of the founding members of the Developing Art association.

She collaborates with artists from different backgrounds to create contexts where authentic connections, experiment and emotion are the main ingredients. Find out more about Irina Marinenscu’s practice in the video below.

The series of recommendations made by artists from the CNDB Media Library continues!

Music recommended by Irina, as background while reading the book

Are you interested in developing your artistic practice in an academic structure? The application for the Master Solo/Dance/Authorship (SODA) program at the Hochschulübergreifendes Zentrum Tanz Berlin (HZT) is now open!

“MA SODA is taught in English. It is designed for students wishing to undertake a consistent and structured development of their artistic research, practice and its context. It offers a rigorous grounding in how to write, situate and talk about one’s artistic practice and helps to frame, document and present students’ work in different formats. The programme includes a broad spectrum of international guest lecturers as well as members of the independent Berlin art scene.”

For further information on applying, click here.

Contact: soda_support@hzt-berlin.de
Deadline: 1st of April

Open call for Studio Light Moves

Studio Light Moves is an initiative of the Light Moves Festival of Screendance, aimed at investing in and nurturing creative process and enquiry in dance, technology and screen-based dance practices.

In partnership with Dance Limerick, The Digital Media and Arts Research Centre UL, Studio Light Moves is delighted to announce its 2021 development programme, Open Futures.

Open Futures 2021 is a test ground and critical exchange residency-based platform for dance artists and media artists interested in collaborating to explore the intersection of dance with media and screen-based practices. The project will enable 8 artists, consisting of 4 collaborating pairs, from the fields of dance and the digital arts, to investigate and explore the potential for interdisciplinary exchange that encompasses practices for the stage, gallery, installation, and outdoor settings. With an emphasis on creative process, the project will facilitate experimentation and exploration of methods and approaches. This process will occur within a mentored and technically supported environment.

Applications are welcomed from individuals or proposed duo partnerships between a dance artist and a media artist at any career stage. Successful individual applications will be matched with corresponding partners

KEY POINTS
Open Futures 2021 is designed around a two-week creative process residency for 4 dance and

media artist pairs, peer exchange and facilitated discussions with practitioners working in dance and technology and a €5K continuity bursary awarded to one selected artist pair to continue beyond the residency period.

Open Futures 2021 supports dance artists and media artist’s time, space, and equipment to work in collaboration over 2 weeks. Applicants may either propose their own collaborator or request to be partnered with one working in their area(s) of interest. (In this instance Light Moves and consultants will match collaborators in relationship to interest and experience.)

Open Futures 2021 aims to focus on collaborations in between dance and digital media practices including: video mapping, real-time image capture and/or generation, motion sensors, cinematography, coding, immersive video, game engines, real-time/interactive sound, generative audio and moving image installation methods. Applicants will be asked to describe the area(s) they wish to explore, what access to the related technologies and software they already have to hand and to specify what may be additionally required for this research process. It is anticipated media artists will have access to their own laptop and related software. All dance genres are welcomed.

APPLICATION
Please submit the information outlined below in one pdf or word document, via email to info@lightmoves.ie

1) A statement of interest including the below: (500 word max)
– Why are you interested in this interdisciplinary residency period and what it would mean in your practice currently.
– What are your artistic aims for the residency period and what technology/media area will be explored and why.
– What additional technical requirements you envisage as part of your research. Please provide as much detail as possible to help us facilitate you via technical support and mentorship/advice.
– Briefly identify a second technical area of interest you are open to exploring.
– Any additional information that you feel is relevant and wish to include.

2) For media artists applying, please state the kind of tools, software or hardware that you are comfortable in using and may intend to use during this residency.

3) Your CV and (if relevant) the CV of your proposed collaborating artist. Note: If you don’t have someone in mind Light Moves will work with you to find a suitable person relative to your area of interest.

4) 2 video links to previous work to demonstrate track record in existing practice.

KEY DATES
Application Deadline: Friday 5th March
Announcement of selected artists: Early – mid March
Residency week 1: 28th June – 3rd July
Residency week 2: 27th Sept – 2nd Oct

For the complete details click here.
For the info source click here.

A new open call for residencies at PACT Zollverein

PACT Zollverein announces a new call for residencies for the development and realisation of projects and productions, which is open to professional artists from both Germany and abroad working in the fields of dance, performance and media art.
The residencies will take place between August and December 2021 and include a working space and local accommodation as well as financial support in the form of a weekly grant allowance and travel costs, as well as technical assistance.

A residency incorporates the following:

― Studio space (from 69 to 173 sq.m.)
― Local accommodation (max. 4 people)
― Minimum period of 4 weeks
― Weekly grant allowance for all of the residency project participants (max. 4 people)
― Travel costs covering one journey only per participant to and from PACT Zollverein (max. 4 people)*
― Technical equipment (by arrangement and subject to availability)
― Professional technical support (by arrangement and subject to availability)

We only accept residency applications submitted via our online residency application process. To access the online application form please click here.

Closing date for applications: 25th of February 2021

Contact: residenz@pact-zollverein.de

All complete applications received by this date will be considered and you will be informed of the panel’s decision by e-mail.

PACT Zollverein / Choreographisches Zentrum NRW Betriebs-GmbH and its residency programme are supported by the Ministry for Culture and Sciences of the State of North Rhine-Westphalia and the City of Essen. Tanzlandschaft Ruhr is supported by the Kultur Ruhr GmbH.

To find out infomation regarding the residencies program offered by the National Dance Center Bucharest, click here.

Join the School of Disobedience Classes!

“School of Disobedience” is a nomadic, experimental and non-formal performanceart school and fight club at the same time, based on questioning, criticizing, protesting, resisting and defying. Composed of thematic classes, the program introduces the concepts of oppression, domination, exploitation, marginalization, powerlessness and violence from a critical feminist perspective. The school is free of charge and open for all women, independent of age, nationality, professional or educational background. Following the last class, participants present their works in the frame of outdoor public space showings.

“Defy norms, undermine tropes, express criticism of structural and ideological concerns.”

School of Disobedience Registration

The Spring Trimester 2021 is composed of 3 online and 6 live classes.

​It is not compulsory to follow all classes, participants can register independently for each of them.

online classes
CLASS 1: “Performance Art: An introduction”
20 February:  10-13h
The Zoom link will be sent you by email following your registration.

CLASS 2: “Performance Art: An introduction”
27 February:  10-13h
The Zoom link will be sent you by email following your registration.

CLASS 3: “Performance Art: An introduction”
6 March:  10-13h
The Zoom link will be sent you by email following your registration.

live classes
CLASS 4-5: “Who is the boss?”
20 March:  14-20h
21 March:  10-15h
+ Final outdoor showings (optional)

CLASS 6-7: “UTOPIA/DYSTOPIA”
27 March: 14-20h
28 March:  10-15h
+ Final outdoor showings (optional)

​CLASS 8-9: “The Sacred Ritual”​
22 May:  14-20:00h
23 May:  10-15:00h
+ Final outdoor showings (optional)

during the classes, activities will involve
Performance, dance, acting, puppet theater, narrating and composing through structured-improvisation and movement; discussions, screenings and readings from texts by writers, theorists, artists; movement research ; developing scores for solo and group choreographies; creative writing in different form (poetry, manifest, comics, diary…) making exercises and creative tasks in different medium (drawing, paining, collage, video, photo, installation art, multimedia art…), searching through storytelling, personal narratives, historical material, archives and divers audiovisual resources.

class description
At the beginning of each class, through joint analysis of historic and contemporary examples, students will approach different discourses connected to the topic. Building on these discussions as well as on selected readings, creative exercises and tasks, students will be guided to explore various approaches and elaborate thematic performances, texts, images and objects. With embracing multiple media, students will be invited to challenge artistic conventions and traditional canons, propose new forms, aesthetics, alternative, experimental solutions in order to defy norms, undermine tropes, express criticism of structural and ideological concerns.

methodology
“Art-based unlearning”, and more broadly, art education conceived as a critical practice, is a cross-disciplinary approach using artistic skills, processes and experiences as tools to take an active part in the social and political discourse on women’s empowerment and rights, and to enhance their emancipation by the means of education and art. The goal of “art-based unlearning” is to create immersive learning experiences via readings, discussions, creative exercises in various artistic forms (visual arts, performing arts, creative writing…), so as to make women gain new insights and perspectives, develop critical thinking and confidence. During the classes, participants have the opportunity to experiment in a safe, judgement-free zone where they can express themselves most honestly while receiving the support, knowledge and tools to grow confidence and strengthen their personal performance persona.

final public showing
Following the last class, participants will present their works in the frame of a series of outdoor totally free of charge public space showings (performances, exhibitions, ceremonies, rituals…).

Source: https://www.schoolofdisobedience.org/