2026

IRIDESCENT

International festival of contemporary dance and other reconfigurations of the sensible

Info

For the past five years, November has been transformed by Iridescent, and this fifth edition of the festival is more substantial and cohesive than ever. This year, at the initiative of Vava Ștefănescu, CNDB Manager, we have expanded the festival beyond the framework curated by the CNDB team, introducing a new section whose selection was made by artists Andreea Novac and Valentina de Piante. The aim is to reflect the diversity of practices, content, and formats currently shaping the contemporary dance and performance scene. This edition therefore brings together a substantial group of artists from Romania’s dance and performance scene, in dialogue with a series of works encountered on international stages.

Moreover, as we reach the end of the third edition of the Academy of Dance and Performance, we have selected six of the eleven works created by its graduates to be presented for the first time as part of Iridescent. We invite you to discover these works and follow the journeys of artists belonging to the new generations of women and men shaping the field: Iulia Andro, Iustin Danalache, Sofia Sitaru-Onofrei, Daiana Sargan, Cristina Tudor, and Teodora Tudose.

This edition explores the body as a site where social pressure intersects with labour, norms, and technology, while equally bringing to the fore questions of belonging, touch, and affect – and, above all, the possibility of deviating, of finding new ways to question and negotiate with the tumult of events and contradictions that surround and encompass us, with or without our consent. In this edition, then, the body is presented less as an object of representation and more as a site where we negotiate – and even refuse.

We open the festival with Chara Kotsali’s It’s the End of the Amusement Phase, in which progress emerges not as a solution, but as an already exhausted narrative, while bodies must continue to dance within this contradiction.
Following a new series of filmed interviews conducted in Ecuador and Moldova, Women at Work brings together performative interviews with women from Eastern Europe and Latin America, exploring the ways in which labour shapes bodies, rhythms, and everyday life. The exhibition at MNAC will be the most extensive presentation of the project to date and will be accompanied by lecture-performances by artists Simona Deaconescu and Flor Firvida Martín, as part of the Iridescent Festival.

In Claire Huber’s No.oN, the central questions are: what is it within us that refuses, and what needs to happen for someone to allow themselves to resist? In ALL’ARME, by Ginevra Panzetti and Enrico Ticconi, the individual body negotiates with the pressure of the group, with discipline, and with collective organisation.

The body is not separate from the place in which it exists, just as place is not separate from the economic structures that organise it. In Reading Gradience, Sanna J. Hirvonen, Dana Andrei, and Nika Pećarina ask how place, language, and the body translate into one another. How does a territory become embodied? How do flows of capital settle into places? How do places shape bodies and condition behaviours and gestures?

Francesca Santamaria, a choreographer and performer from Italy making her Romanian stage debut, invites us in Good Vibes Only (beta test) to reflect on the body captured by digital flows and hyper-performativity. Does TikTok ring a bell?

The festival thus becomes a space for collective reflection on the individual body, which carries within it social and cultural history, yet does not appear to us merely as an object upon which pressures are exerted, but also as a site where those pressures can be negotiated and/or refused.

Perhaps, beyond all the differences between these works, something remains that is both simple and difficult to explain: the need to be seen, touched, listened to, understood — and, sometimes, the need to no longer have to be what is expected of us. So, in November, we invite you to be together and to see what might happen when we make room for what we still do not know how to name.

We invite you to join: Alexandra Bălășoiu, Adriana Gheorghe, Anca Stoica, Chara Kotsali, Claire Huber, Cristina Lilienfeld, Cristina Tudor, Cosmina Moroșan, Daiana Sargan, Dana Andrei, David Schwartz, Eduard Gabia, Eliza Trefaș, Enrico Ticconi, Ermira Goro, Flor Firvida Martín, Florin Flueraș, Francesca Santamaria, Ginevra Panzetti, Hunor Varga, Iulia Andro, Iustin Danalache, Ioana Marchidan, Ioana Vreme Moser, Kira Valentina, Mădălina Dan, Maria Beatrice Oneț, Maria Luiza Dimulescu, Mariana Gavriciuc, Mihai Mihalcea, Nika Pećarina, Sanna J. Hirvone, Sergiu Diță, Simina Oprescu, Simona Deaconescu, Sofia Sitaru-Onofrei, Teodora Tudose, Vava Ștefănescu.

Mihai Mihalcea, on behalf of the CNDB team

Period
November 1–30

Schedule


Partners

Institutional Partners
Ministry of Culture · Administration of the National Cultural Fund (AFCN) · Aerowaves · Moving Balkans · European Union · Onassis Stegi · Greek Embassy in Bucharest · Greek Union of Romania · Italian Cultural Institute in Bucharest · MNAC – National Museum of Contemporary Art of Romania · “I.L. Caragiale” National Theater · “Grigore Antipa” National Museum of Natural History, French Insitute of Romania

Cultural Partners
LINOTIP – Independent Choreography Center · /SAC @ Berthelot · Tangaj Collective Association · Cărturești · ANF | National Film Archive · Therapy for Movement · Petec Association · O2G Association · Teatre

Main Media Partner
Radio Guerrilla

Media Partners
Zile și Nopți · Matca Magazine · Scena Magazine · Arta Magazine · ELLE · TVR Cultural · Munteanu Recomandă · AGERPRES · VisitBucharest · Radio România Cultural · Haute Culture · Liternet · The Institute · Ceașca de Cultură · Daily Magazine · Modernism · Zeppelin · Iscoada · B-Critic · România Pozitivă

 IT'S THE END OF THE AMUSEMENT PHASE

Concept, Choreography, Text: Chara Kotsali

 IT’S THE END OF THE AMUSEMENT PHASE

No.oN

Direction, text and performance: Claire Huber

No.oN

Born to Touch

With: Maria-Luiza Dimulescu, Mariana Gavriciuc & Maria Beatrice Oneț

Born to Touch

Women at Work — Crossroads, Rhythms, and Continuities

By: Simona Deaconescu & Flor Firvida Martin

Women at Work — Crossroads, Rhythms, and Continuities

exhibi-skin

With: Mădălina Dan

exhibi-skin

TELOS

Concept and Performance: Ermira Goro

TELOS

…in Wonderland

Concept / Performer: Vava Ștefănescu

…in Wonderland

ALL’ARME

Choreography: Ginevra Panzetti and Enrico Ticconi

ALL’ARME

Double bill: Belonging Bodies & TESERACT

With/by: Teodora Tudose & Iustin Danalache

Double bill: Belonging Bodies & TESERACT

Double bill: TELEMACHUS & GOOD VIBES ONLY (beta test)

With/by: Ioana Marchidan & Francesca Santamaria

Double bill: TELEMACHUS & GOOD VIBES ONLY (beta test)

Double bill: Desynchronosis A.K.A. Jet Lag  & THRESHOLD

With/by: Cristina Tudor & Iulia Cristina Andro

Double bill: Desynchronosis A.K.A. Jet Lag  & THRESHOLD

Double bill: Wow! You’re a dancer?! Can you show me a split? & ICSPRES IORSELF  

With/by: Sofia Sitaru-Onofrei & Daiana Sargan

Double bill: Wow! You’re a dancer?! Can you show me a split? & ICSPRES IORSELF  

Spaime

Director: David Schwartz

Spaime

Solarisation

Concept & Choreography: Platforma 13 (Anca Stoica & Sergiu Diță)

Solarisation

Unauthorized movements

Text and artistic direction: Mihai Mihalcea

Unauthorized movements

Reading Gradience, rehearsal IV

By: Sanna J. Hirvonen, Dana Andrei, Nika Pećarina

Reading Gradience, rehearsal IV

Grace + Love

Grace + Love

Leaking into the World

Leaking into the World

Another Recomposition / Lizica Codreanu

Concept: Vava Ștefănescu

Another Recomposition / Lizica Codreanu

CODE-SWITCH

Created and performed by: Eduard Gabia

CODE-SWITCH

Metanoia

Concept, choreography, and performer: Hunor Varga

Metanoia

We Are Anatomical Theatres

Framing concept: Adriana Gheorghe

We Are Anatomical Theatres

mind-moving

Choreography: Alexandra Bălășoiu, Cristina Lilienfeld

mind-moving