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Dance diary

02.6.2023

“Orașul vorbește”: How do we attract audiences to culture?

“Orașul vorbește”: How do we attract audiences to culture?

30.5.2023

Orașul vorbește: CNDB Academy graduation party

Orașul vorbește: CNDB Academy graduation party

24.5.2023

“Orașul vorbește”: Everything for endorphins – dance workshops for the general public

“Orașul vorbește”: Everything for endorphins – dance workshops for the general public

22.5.2023

“Orașul vorbește”: An overview of the producer programme

“Orașul vorbește”: An overview of the producer programme

08.5.2023

“Orașul vorbește”: Luați de VAL…s

“Orașul vorbește”: Luați de VAL…s

03.5.2023

“Orașul vorbește”: Pathosphere

“Orașul vorbește”: Pathosphere

25.4.2023

“Orașul vorbește”: OUTCOME, after more than 20 years

“Orașul vorbește”: OUTCOME, after more than 20 years

12.4.2023

“Orașul vorbește”: In three days the grass will grow… 

“Orașul vorbește”: In three days the grass will grow… 

12.4.2023

“Orașul vorbește”: What is a creative producer?

“Orașul vorbește”: What is a creative producer?

10.4.2023

“Orașul vorbește”: the Producers Program at the CNDB Academy continues

“Orașul vorbește”: the Producers Program at the CNDB Academy continues

29.3.2023

“Orașul vorbește”: Reverse Discourse, body politics and vulnerability

“Orașul vorbește”: Reverse Discourse, body politics and vulnerability

20.3.2023

“Orașul vorbește”: the CNDB Media Library, the space for books on performace in the city

“Orașul vorbește”: the CNDB Media Library, the space for books on performace in the city

14.3.2023

“Orașul vorbește”: discussion with Mihaela Michailov about feminist approaches in the performative area

“Orașul vorbește”: discussion with Mihaela Michailov about feminist approaches in the performative area

23.2.2023

“Orașul vorbește”: moving [m]others

“Orașul vorbește”: moving [m]others

23.2.2023

“Orașul vorbește”: CNDB performing school for children

“Orașul vorbește”: CNDB performing school for children

14.2.2023

“Orașul vorbește”: “If we each do our job well and show that dance is important, we can attract funding.”

“Orașul vorbește”: “If we each do our job well and show that dance is important, we can attract funding.”

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